I only sell what I create Only original work Born from vision, shaped by research And brought to life through craftsmanship Handwoven heritage, two centuries in the making Every piece bespoke — crafted, not manufactured New weaves added to the House every season I only sell what I create Only original work Born from vision, shaped by research And brought to life through craftsmanship Handwoven heritage, two centuries in the making Every piece bespoke — crafted, not manufactured New weaves added to the House every season

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The Varashree Archive
Collection Story

Bhandini

Thousands of tied knots, releasing a pattern one dot at a time

Punar Bandhana-6 From the Collection — Punar Bandhana-6 View Piece

Every dot in a Bandhani textile was, at some point, a tiny pinch of cloth, tied by hand.

The name comes from the Sanskrit bandhan, “to tie” — and the technique is as direct as the word suggests. Small points of fabric are pinched between thumb and forefinger, wrapped tightly with thread, and the cloth is dyed. Wherever a knot sits, the dye cannot reach the fabric beneath. Untie it, and a small, precise dot of the original, undyed colour remains.

One dot means nothing. Thousands of them, placed with total consistency across a length of cloth, become a pattern — geometric grids, floral motifs, figures, borders — each one built entirely from the presence or absence of dye at a single tied point.

A Craft Measured in Knots

Bandhani is most closely associated with Kutch in Gujarat and the Jaipur and Sikar regions of Rajasthan, where it has been practiced for generations within specific artisan communities, the skill typically passed down within families rather than taught as a trade learned from scratch.

The labour involved is difficult to overstate. A single elaborate Bandhani sari can require many thousands of individually tied knots — each one placed by feel and muscle memory rather than measurement, at a speed and consistency that takes years of practice to develop. The tying alone, before any dyeing even begins, can occupy an artisan for weeks.

More Than Decoration

Bandhani has never been purely ornamental. In the regions where it’s practiced, specific patterns and colour combinations have long carried ceremonial weight — certain motifs traditionally associated with weddings, others with festivals, the choice of pattern often saying something about the occasion before a word is spoken.

Kutch Bandhani and Rajasthan Bandhani both hold Geographical Indication status in India today — formal recognition of what artisan communities in these regions have known all along: that this particular way of tying, dyeing, and releasing a pattern belongs unmistakably to where it was made.

The Discipline of the Small

Where many textile traditions build their pattern at a large scale — a woven motif, a printed block — Bandhani builds outward from the smallest possible unit: one knot, one dot, repeated with a precision that has to survive being multiplied by the thousands. It is, in its own way, one of the most exacting disciplines in Indian textile craft, precisely because the individual mark is so small.

Signed, Srinivas Varkala

The collection, in full.

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